Archive | October 2016

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Richard Friend and the “middle son”



Richard Friend, legendary inker formed at Wildstorm Studios under Scott Williams tutorship recently posted on Facebook about #Inktober:

“Inking; the highly misunderstood and ‘middle son’ of comics…”

He posted that sentence with no intention of starting a controversy, but still resonated on my head. He wrote that on early October on a post which allows inkers like me to share our art and be promoted – or at least, be seen – to lots of other eyes of his followers.

At the same time I was posting three of my latest inking pieces on Rich’s Facebook post I was featured in a recent gallery exhibition here in Chile on the Spanish Circle Cultural Center in Santiago. Under the moniker “Viñetas del Fin Del Mundo” which can be translated as “Panels from the End Of The World” (being Chile as the “End of the World” part), the curator, longtime acquaintance Carlos Reyes with a helping hand of Felipe Benavides (whom I have previously worked with on several related comic ideas), and Cristian Gonzalez (the mastermind under Fic Santiago), put together a 60+ piece exhibition with big sized prints of one page of every comic published in chile from the 2012-2016 period.

This expo covers what has been a very succesful tenure, a huge increase both in quantity and quality of what’s published in comics in Chile. Local production has started to switch to something else and the visibility of artists such as Gabriel Rodriguez (Locke & Key; Little Nemo: Return to Slumberland), Nelson Dániel (The Cape, D&D, Judge Dredd, etc…), Gonzalo Martínez (Mocha Dick) had gained increasingly interest on their work and that resonates in the medium which is in contant growth.

We are also scheduling almost every weekend with a comicbook related show or book fair, which makes presence more steadily. Still, as always, there’s lots of things ahead to improve and jump into the next level.

Speaking with some friends at “Viñetas …” last exhibit day (the reason why I couldn’t be around on the show will be explained in a next post), I recall – in my humble opinion – a reaching point of the state of the art of how comics are being promoted in my country. We are living in a crucial point where things should switch to another level, from friends with the usual amiability taking care of things to whatever comes next.

Most of the events are made with love, passion for comics and friendship. They are surely a beacon of integrity where styles and artists gather together on weekends of prints, comics and sketches. That festivity feeling is reachable almost immediately once you talk to the people. Comics magic always gathers people around, both readers and artists. All ages, pros and fans, and some wicked professor interested in the teachings of comics here and there. And that’s awesome.

I can’t stress enough about Carlos, Felipe and Cristian efforts on promoting comics. You can see they LOVE with a capital “L” comics. Carlos is an awarded publisher and scriptwriter, podcast host, comics historian and breathes comics since he was in the craddle. Cristian is the warmest person I have ever known, produced five successful  FIC events, the most valuable comic event in Chile and a great producer. Felipe is a scriptwriter, college teacher and promoter, and an ugly troll and but we all love him.

Despite all the facts against that, these kind of events are usually made with effort and no money whatsoever. It’s good ol’ sacrifice-for-love kind of a thing.

Which it takes me back to Richard Friend.

“Inking; the highly misunderstood and ‘middle son’ of comics…”





Teaching comics to kids.

I was invited by Diego Toro (the amazing penciler of OMB, and the artist who I am lettering on Deliverance) to help him out on a special project. Diego, Kóte Carvajal (same credits colorist), his wife Daniela (Cabralesa) and me embarked together several weeks ago to a meeting outside Santiago on the sunny and sometimes peaceful city of Viña del Mar.


Six weeks later I am writing this piece seated on a bus on what is the last of my daily trips to the city of Rancagua, roughly 120 kms south Santiago. A historical city that faced Chile’s destiny on a tremendous battle two centuries ago.

I take the bus daily to Rancagua to teach comics to kids.

Proyecto Enlaces (The Links Project) is a network settled by the Chilean Goverment Education Office that aims kids to develop new skills based on the Knowledge and Information Technologies (TIC) for development of new set of habilities that would make them embrace new horizons on their potentials. I am talking rural town schools, some of them under the social risk line and some of them so far that they even travel longer than me to attend.


The mechanics are simple and dynamic, which helps everyone. I teach two teachers and two kids per school how to do comics and they must replicate the system twice on their schools. We use several digital tools, but you can sum it up as using Celtx as the main script making -program and Sketchbook for the artistic side of the process.


Up until today, I have meet almost 15 different schools from Rancagua and its surroundings (Tinguiririca, Las Cabras, Coltauco, Rengo, Pelequen, Graneros, and some that I am now forgetting them). Talented kids, from 8 to 16, who travel an hour or more from their towns for this two day workshop. We spend one day learning how to understand the magic and the different specifics of comics and then, on the next day, starting to create their own comic from scratch. Premise, documentation, scene development, script, penciling, inking and lettering. After this workshop they are commited to reproduce the process on their schools in a 10 day session of pure comic making magic.

Their creativity is unlimited. Based on their own lives and experiences and what I can teach them about pushing boundaries they came up with outstanding stories.


They shown me such an amazingly different set of stories, from historical

  • Two generals, childhood friends who faces against each other on D Day in Normandy.
  • A chinese nuclear submarine that strangley appears in a nearby Dem, damaged and its tripulation in order to merge with the local community heals the major with herbal tea and gets their submarine fixed with wicker.
  • An inmigrant smurf with detective skills who solves a mystery in order to be wlecomed as an valuable member of the new Smurf Village which he’s asking asylum in.
  • A dog tale, old and grumpy who stops a bank robbery just because bullets are making too much noise for him.
  • A bullyed boy who runs away into space just to meet that he has just morphed into a octopus kind of creature after exiting a wormhole, just ot find that he’s still bullyed on another planet.

Et al.


It has been an tremendous adventure and now that I am returning home I am only but thankkful to live this experience where kids seems to enjoy the comics process and I enjoy tremendously meeting creative kids and teachers.

There’s a second stage to this. Someone must travel to see how the project is being implemented, but I don’t think that I’ll be the one doing that. Their towns are from 20 minutes to an hour and a half away from Rancagua, so adding that the distance from my home to Rancagua (roughly 2 hours and scratch) would make the 25 trips almost impossible. Still I’d like to see how they are doing.


I’d like to repeat this adventure sometime soon. I am leaving Rancagiua for the last time with a huge smile.

So Thanks, Diego for the opportunity.

Best regards


New gig cover: Zinnober #1


I am now allowed to show this cover for the First issue of the upcoming new comic named Zinnober.

Artwork is fantastic and incredibly detailed by german penciler Ralf Singh, who created a very tight team of creators which I am proud to be part of:

Writer – Fabián Rodríguez
Editor – Thorsten Bendrix
Pencils – Ralf Singh
Inks – Cristian Docolomansky
Colors – Ilaria Fella
Lettering – soon by Taylor Esposito


Original Inks:


… and finally the Step by Step process…